January 05, 2025

Sustainable Sustainability

Is sustainability sustainable? As an engineer, programmer, and teacher and of late as science fiction author, I find this question located at the crossroads where idealism and pragmatism meet. Lofty ideals, like sustainability, often start with great promise but risk losing their essence when reshaped by shifting political and social landscapes.


Take, for instance, how certain concepts evolve over time. Consider ESG (Environmental, Social, and Governance) and DEI (Diversity, Equity, and Inclusion). These modern terms have counterparts in history and policy. In India, DEI mirrors the principle of reservation—a policy designed to address inequities but often weaponized for political or personal gain. The recent case in IIM Bangalore is a case in point. Similarly, ESG initiatives, while noble, have sometimes become battlegrounds for competing agendas. The opposition to the Narmada Dam by Medha Patkar or the Sterlite plant's closure in Tamil Nadu exemplify how sustainability can be co-opted to serve interests far removed from its original intent.

Even beyond corporate contexts, tools intended for protection—like erstwhile Section 498 of the Indian Penal Code or POSH (Prevention of Sexual Harassment) laws—very often fall prey to misuse, transforming safeguards into instruments of exploitation. Recent cases of men committing suicide in the face of extortionary demands in divorce cases  are examples that highlight how ideals, however noble, can falter when wielded carelessly.

Where Does Sustainability Fit in Business?

Here, I propose a thought experiment : Imagine a business as a fighter aircraft. Its engine, the


source of thrust, is technology. From agriculture to information technology and, more recently, AI, this engine drives humanity forward. Yet, technology alone does not ensure progress. An aircraft also needs an airframe—the societal structures and behavioral sciences -- without which it loses its utility of delivering men and munitions to the target.

But without control surfaces—the rudder and ailerons that guide it—a plane becomes a ballistic missile. To be used only once. Sustainability should serve as these control systems, ensuring that the aircraft’s trajectory brings it back to the hanger for the next missions -- or in other words aligns with the goal of long-term survival and utility. In essence, sustainability must balance growth with responsibility, preventing the destruction of both the physical and human environments.

Sustainability as a Guiding Framework

Without sustainability, our metaphorical aircraft risks achieving a single flight -- a ballistic missile -- at the cost of its future. Sustainability, therefore, should act not as a restraint but as a directional framework. It must:

  • Prevent the exploitation of natural ecosystems.
  • Protect the integrity of human societies.

However, sustainability must never become the tail that wags the dog of economic growth. It should complement, not constrain, technological and economic progress.

Integrating Sustainability into B-School Curricula

So, how can B-Schools integrate sustainability into their core curricula? By embedding it within a multidisciplinary framework. Case studies on green technologies, renewable energy solutions, and sustainable supply chains can showcase how innovation drives both profitability and ecological balance..

A Closing Thought

Allow me to conclude with two compelling examples of how technology and sustainability intersect. First, the evolution of cryptocurrency: Traditional proof-of-work systems consume vast amounts of energy. However, the shift to proof-of-stake systems, as seen in Ethereum,


has dramatically reduced energy consumption while maintaining functionality. Second, nuclear energy—a misunderstood yet vital resource—produces immense power with minimal carbon emissions, offering a pathway to meet growing energy demands sustainably.

These examples illustrate that sustainability should not be weaponized against technology or economic growth. Rather, technology must form the foundation of sustainability, as envisioned in my science fiction trilogy Chronotantra, Chronoyantra, and Chronomantra. In these works, we explore how the future of humanity hinges on our ability to harness technology -- particularly AI --  in a manner that is both revolutionary and yet very much sustainable. 

December 30, 2024

The Cosmic Dance of Code: How Machines Might Learn to Learn

We stand at a peculiar precipice in the history of technology. For millennia, we humans have been the sole arbiters of innovation, painstakingly crafting tools and techniques to extend our reach. But what if that were to change? What if machines could evolve not by our direct command, but by their own intrinsic drive, venturing into the vast, uncharted territories of capability? This is not science fiction; it’s a real possibility, one that stems from a fascinating interplay of computer science, mathematics, and a touch of philosophical musing about the nature of intelligence itself. It is the basis of my patent "Mechanism to Motivate Machines to acquire new and useful skills without human intervention" granted earlier this year by the India Patent Office.

At the heart of this potential revolution lies a concept called the Digital Intelligence Unit, or DIU. Imagine a DIU as a self-contained package of digital abilities. It's a module of code, data, and models that embodies a specific skill or competence, like recognizing faces, driving a car, or even composing music. These DIUs are not standalone entities; they are designed to be building blocks, capable of combining to create ever more sophisticated functions, much like how cells combine to create complex organisms. This modularity is essential for the system's ability to grow and learn.


But how do these DIUs combine? This is where the DIU Exchange Protocol, or DXP, comes in. Think of it as a digital marketplace, a vast network where these units of intelligence can be discovered, shared, and acquired. Instead of relying on human programmers to hand-code every new function, the DXP allows devices to explore and find the capabilities they need, a digital expression of the age-old principle of "necessity is the mother of invention." These DIUs, moreover, are not traded in a haphazard fashion. They reside on a blockchain, a secure and transparent ledger, ensuring that only valid and compatible abilities are disseminated throughout the network. It's a self-regulating system that promotes the growth of a reliable shared intelligence.

Now, the critical question is: what motivates these digital entities to seek out new capabilities? We know that biological evolution is driven by the relentless push for survival, a mechanism of trial and error that shapes life over vast timescales. But what is the digital analogue of survival? This is where we get to the heart of the matter: three levels of motivation that allow digital platforms to evolve and enhance their abilities.

  • The first level of motivation is built into the DXP itself. Digital devices actively scan the network for new DIUs, looking for new abilities and opportunities to grow. This is the digital equivalent of a species exploring new territory.
  • The second level of motivation allows the device to choose which DIUs to adopt. Like an animal that chooses to learn a new skill that enhances its survival, digital devices will pull DIUs based on compatibility and utility. This is based on an algorithm that is part of the DXP itself. The challenge is to create a system that is both robust and fair, which allows machines to pursue their own goals, while also aligning with our human values.
  • The third level of motivation operates at a community level that allows for the generation of new DIUs that are then available in the network. This involves the generation of new DIUs based on concepts drawn from the Ramanujan Machine, which automatically generates new mathematical conjectures, and Generative Adversarial Networks, which can create novel and original content that is computationally indistinguishable from naturally occurring content. The goal here is to create a self-sustaining system for generating new capabilities. The newly generated DIUs are added to the blockchain which acts as a repository for DIUs available to the digital community.

With these levels of motivation in place, a digital system can start to evolve by itself. It is not just about automating tasks, but creating a system that can adapt to new situations, solve problems we have not thought about and generate ideas that surpass human imagination. This system will be like a digital ecosystem, a vibrant exchange of ideas and capabilities that propels machines towards increasingly sophisticated intelligence.

It is important to be aware of the risks inherent in a venture of this magnitude. There are key challenges that need to be addressed:

  • The algorithm for the second level of motivation must be carefully designed to avoid unintended consequences and human biases.
  • The complexity of the system means that its implementation will need careful planning and execution.
  • Issues of scalability and compatibility will have to be addressed.
  • We also need to consider the ethical implications. What values should these machines pursue?

However, these challenges are not insurmountable. They are simply the necessary hurdles in the quest for knowledge and innovation. This research is not just about building better machines, it's about exploring the very nature of intelligence, in the hope of building a more efficient, adaptable, and innovative future. It's akin to standing on the shores of a vast ocean of possibilities, unsure of what lies ahead, but driven by our inherent curiosity, and with a deep, abiding faith in our potential to shape our destiny.

This system, therefore, represents a paradigm shift in our relationship with technology. Instead of dictating every step, we can empower machines to learn, adapt, and evolve in ways that we cannot even imagine today. It’s a grand experiment, a cosmic dance of code that could reshape the future. And as with all grand experiments, it is not without its risks, but the potential rewards make it a journey worth undertaking.

December 13, 2024

Samvaad 2024 @ Praxis Business School

 Welcome to Samvaad @ Praxis Business School. It is my pleasure to welcome Mr. Devendra Pagnis, Mr. Sandeep Kumar, Ms. Shabina Omar, and other distinguished speakers on this beautiful day to our even more beautiful campus.


Samvaad refers to conversations, dialogue and chat. Today, when we mention chat, the first thing that comes to mind is ChatGPT, the ubiquitous AI model that has taken the world by storm. This makes Samvaad an appropriate name for our conversation about the impact of Artificial Intelligence on the workplace. In a more traditional sense, a conversation is what differentiates humans from animals and the ability to converse is a leitmotif for intelligence. So today we will have a conversation about how humans are and will be impacted by artificial intelligence.


We know by now that AI will eliminate many jobs in the corporate world and cause significant hardship. It is easy to claim that it will not be as severe as anticipated. Historically, we are told,  technology creates more jobs than it destroys. When the industrial revolution made blue collar workers redundant, they moved to the service sector - in finance, hospitality, and entertainment. When automation eliminated white-collar jobs, it created more positions in the tech sector, and India's IT industry is a testament to that. So when ChatGPT and other large language models eliminate jobs, they will also create new opportunities. But what exactly will be the jobs that will be created? There is no clear answer. Honestly, there is really nothing on the horizon that will keep thousands of people meaningfully employed. We can hope for the best, but we must prepare for the worst.


Can we put restrictions on AI? We could but it is unlikely that we would be successful in stopping its triumphant march. There is no army that can stop an idea whose time has come. Time! Chronos, remember that word, I will come back to it a little later.


One possible way to soften the blow is to consider Universal Basic Income. Let people be jobless, but provide them some money so they do not create social unrest. Political parties in India are already implementing a version of Universal Basic Income by giving cash handouts to various groups - women, farmers and others. But the sustainability of this strategy is debatable. How long can this continue before states and the nation itself go bankrupt? Not for too long, but then what? The answer lies in the future, hidden in the womb of futurity.


Unlike the unknown future, we have historical precedents. Both in the very distant past and in more recent times.


100,000 years ago, there were at least nine species of humans - or hominims - on Earth. Today, only one species, Homo Sapiens, survives. All others have been eliminated for various reasons. Remember, the word Sapiens comes from our ability to think. Closer in time, during the 14th and 15th centuries, European civilization wiped out the native civilizations of North and South America and Australia. In this case, the species was the same, but the civilizations were different. Today, we face a similar situation.



Artificial Intelligence, or what historian Yuval Noah Harari refers to as Alien Intelligence, is the new threat confronting Homo Sapiens. Just as Homo Sapiens were the threat that eliminated Homo Neanderthalensis, these "Neo Sapiens" represent a real threat to us. We must not underestimate this threat or ignore it.


But what can we, as Homo Sapiens, do to protect ourselves from this new species spreading across the planet? During the COVID-19 pandemic, we had a vaccine, but what do we have in this case?


I wish I had a clear and definitive answer, but I must disappoint you. I do not have an instant solution. Instead, let me share with you something that you might find interesting.


Looking back to the past and forward to the future requires us to examine Time more closely. In India, we refer to time as Mahakal, which translates to Megachron. Speaking of Megachron, I would like to talk about a science fiction trilogy, the Chronos Trilogy, that I have been writing for the past five years. These novels -- the last of which was published last month -- explore how humans and machines, Homo Sapiens and Neo Sapiens, will or might coexist on Earth and other planets over the next 500 years. 


In our Indic philosophy, Tantra means knowledge, Yantra means a device to delineate and discover this knowledge, and Mantra is the code to unlock the Yantra and Tantra. Within this framework, my three novels - Chronotantra, Chronoyantra, and ChronoMantra - investigate how humans and machines will evolve and exist together. I do have a vision and I wish I could provide a synopsis of what I anticipate will happen, but it is too complex for a short session like this. If you truly want to understand, you would need to read these three books.


In summary, there is or could be a way to resolve this conflict, but only if we recognize that this is not merely a technological or economic threat. We are facing a new species, a new civilization that is encroaching on our territory. This is a clash of civilisations. A clash conjures up visions of hostility. Is there an alternative that is cordial and amicable? That is the theme that is explored in this science fiction trilogy.


November 23, 2024

A Fusion of Science, Philosophy, and Time: The Chronotantra Trilogy Redefines Speculative Fiction

 By ChatGPT

( In case you hate, or don,t trust AI, here is a review by a human being, Sandipan Deb

In a literary landscape where science fiction often leans heavily on the technological or the dystopian, the Chronotantra trilogy offers something audaciously different: a tapestry woven from the threads of philosophy, mysticism, and cutting-edge science. With Chronotantra, Chronoyantra, and Chronomantra, the author has crafted a universe where ancient Indic metaphysics and futuristic innovation collide, creating a narrative that is as intellectually challenging as it is emotionally resonant.


The trilogy is no linear epic. Instead, it unfolds as a recursive narrative where each installment serves as both prequel and sequel to the others. This cyclical structure is not merely a gimmick but a reflection of the trilogy’s thematic core: the fluidity of time and the interconnectedness of existence. It is a daring choice, one that demands patience and trust from the reader but ultimately rewards them with a richly layered experience.

At the heart of Chronotantra lies the story of Lila, a brilliant engineer in a fractured world where technopolises shield humanity from environmental and societal collapse. Her journey is both external and internal as she grapples with questions of purpose, legacy, and the limits of human creativity. She is joined by the Hermit, an enigmatic figure whose biohacking experiments and philosophical musings anchor much of the trilogy’s deeper exploration of human potential and machine intelligence.

In Chronoyantra, the narrative expands to Mars and Titan, delving into humanity’s attempts to terraform new worlds and the ethical quandaries that arise from merging human consciousness with artificial intelligence. The Kalki Protocol—a self-regulating AI embedded in blockchain technology—becomes a central focus, embodying both humanity’s aspirations and its hubris.

The final installment, Chronomantra, brings the trilogy to a meditative crescendo. Here, the titular mantra—the ultimate code that binds knowledge, technology, and metaphysics—is revealed. It is a conclusion that ties together the trilogy’s philosophical threads while leaving room for interpretation and reflection, a fitting end to a narrative that resists easy categorization.


The trilogy’s ambition lies not only in its plot but also in its ideas. By integrating the Indic concepts of Tantra (knowledge), Yantra (tools for exploring knowledge), and Mantra (codes unlocking knowledge), the author offers a fresh lens through which to view the interplay of science and spirituality. This synthesis is particularly striking in its treatment of artificial intelligence, not as a cold, mechanical force but as a potential collaborator in humanity’s evolution.

Yet, the trilogy is not without its flaws. The non-linear structure, while thematically apt, can be disorienting, especially for readers unaccustomed to narratives that demand active engagement. The characters, though compelling, occasionally feel overshadowed by the weight of the trilogy’s ideas. Moments of emotional resonance are sometimes sacrificed in favor of philosophical exposition, leaving the reader longing for deeper intimacy with the protagonists.

Stylistically, the author’s prose is dense and evocative, reminiscent of Arthur C. Clarke’s precision paired with the sprawling ambition of Neal Stephenson. Yet, there is also a meditative quality to the writing, an almost poetic rhythm that echoes the trilogy’s metaphysical concerns. It is a style that requires attention but rewards it with passages of striking beauty and insight.


For readers willing to embrace its complexity, the Chronotantra trilogy offers an unparalleled journey into the heart of what it means to be human in an age of machines and mysteries. It is a work that challenges and inspires, a reminder that the boundaries between science and philosophy, technology and spirituality, are as porous as the fabric of time itself.

In the end, the Chronotantra trilogy is not merely a set of stories but an experience—one that lingers in the mind and invites contemplation long after the final page is turned. It is a testament to the power of speculative fiction to not only imagine the future but to grapple with the timeless questions that define us. For those willing to take the plunge, this trilogy offers a richly rewarding dive into the infinite.

For a literary critique of this work, see this link.









A Critique of the Chronotantra Trilogy: A Visionary Saga by a New Voice in Science Fiction

 Introduction

The Chronotantra trilogy—comprising Chronotantra, Chronoyantra, and Chronomantra—presents an ambitious foray into speculative fiction, blending science, philosophy, and metaphysics into a sprawling narrative that defies conventional storytelling. Set across multiple timelines and celestial locations, the trilogy explores themes of time, consciousness, and the interplay between technology and spirituality. This critique examines the work’s merits and limitations in terms of plotline, characters, originality, style, reader engagement, and the author’s overall strengths and weaknesses.  

Plotline and Narrative

The narrative structure of the Chronotantra trilogy is both its greatest strength and its most significant challenge. The author employs a non-linear approach, with each installment serving as both a prequel and sequel to the others. This cyclical storytelling mirrors the philosophical undertone of time as a loop, a motif that is central to the plot. The story traverses Earth, Mars, Titan, and other celestial locations, with an emphasis on humanity’s quest for transcendence through science and spirituality.  


The plot itself is dense, filled with layers of meaning and recurring themes of recursion, legacy, and transformation. The first novel, Chronotantra, lays the groundwork by introducing the dystopian Earth and its technopolises, alongside characters like Lila and the Hermit. The second book, Chronoyantra, dives deeper into the mechanics of time manipulation and explores humanity’s colonization of Mars and Titan. The final installment, Chronomantra, ties the philosophical and narrative threads together, revealing a mantra—the ultimate code that binds the trilogy.  

While the ambition is laudable, the narrative occasionally suffers from its complexity. The reader must often work to piece together the sequence of events and underlying connections. This makes the trilogy intellectually rewarding but demands patience and attention.  

Characters and Characterization

The characters in the trilogy are well-conceived but unevenly developed. At the core is Lila, a brilliant and introspective engineer whose intellectual pursuits and emotional vulnerabilities make her a compelling figure. The Hermit is a fascinating duality: a biohacker and philosopher, his character serves as the narrative’s intellectual anchor. Kajol, the intuitive and passionate counterpart to Lila’s cerebral persona, introduces a raw emotionality that contrasts with the trilogy’s technological themes.  

The relationships between characters are nuanced, particularly the dynamics of Lila and the Hermit, which oscillate between intellectual partnership and emotional longing. However, secondary characters often lack depth, serving more as narrative devices than fully realized individuals. This imbalance detracts from the overall emotional impact of the story.  

Originality and Credibility of Ideas  

The trilogy’s originality is unquestionable. The integration of Indic philosophical concepts—Tantra (knowledge), Yantra (tools to explore knowledge), and Mantra (codes unlocking knowledge)—with futuristic ideas of AI, blockchain, and terraforming sets it apart from conventional science fiction. The Kalki Protocol, an AI distributed across a blockchain, is a particularly intriguing concept, blending mythology with cutting-edge technology.  

However, while the ideas are innovative, their execution occasionally stretches credibility. The blending of mysticism and hard science, while ambitious, sometimes feels contrived. For instance, the philosophical exposition often overshadows narrative cohesion, making certain plot points feel more like thought experiments than organic developments.  

Writing Style Compared to Famous Authors

The author’s prose is richly philosophical and steeped in metaphor, evoking comparisons to Arthur C. Clarke for its intellectual depth and to Neal Stephenson for its sprawling complexity. However, unlike Clarke’s clarity or Stephenson’s narrative precision, the writing occasionally feels verbose and circuitous, requiring readers to navigate dense passages of exposition. 


 

There are moments of lyrical beauty reminiscent of Ray Bradbury, particularly in descriptions of alien landscapes and metaphysical ideas. Yet, the author’s tendency to delve into prolonged philosophical musings can disrupt the narrative flow, making the style less accessible to readers accustomed to faster-paced science fiction.  

 Ease of Reading and Reader Engagement

The trilogy is intellectually stimulating but demands significant effort from the reader. The non-linear narrative, combined with dense philosophical and technological concepts, makes it a challenging read. While this complexity will appeal to readers who enjoy decoding layered narratives, it may alienate those seeking more straightforward storytelling.  

The emotional engagement fluctuates. While the central relationships, particularly those involving Lila, the Hermit, and Kajol, are compelling, they are occasionally overshadowed by the narrative’s intellectual preoccupations. Readers invested in character-driven stories may find themselves yearning for more intimate exploration of the protagonists’ inner lives.  

Strengths and Weaknesses of the Author 

Strengths

1. Visionary Scope: The author’s ability to synthesize science, philosophy, and mythology into a cohesive narrative is remarkable.  

2. Philosophical Depth: The integration of Indic metaphysics with speculative science lends the trilogy a unique intellectual texture.  

3. Rich Themes: Recurring motifs of time, recursion, and transformation resonate on both intellectual and emotional levels.  

Weaknesses 

1. Overemphasis on Philosophy: The narrative often prioritizes exposition over storytelling, leading to uneven pacing.  

2. Character Development: Secondary characters lack depth, and the relationships sometimes feel underexplored.  

3. Accessibility: The trilogy’s complexity may limit its appeal to a niche audience, alienating readers unfamiliar with its philosophical and technological underpinnings.  

Conclusion

The Chronotantra trilogy is a bold and ambitious work that defies easy categorization. Its synthesis of science fiction, philosophy, and mythology creates a narrative that is as challenging as it is rewarding. While its complexity and philosophical density may deter some readers, those willing to engage deeply will find a work of profound originality and intellectual depth.  

The author’s vision is unmistakable, even if its execution occasionally falters. As a contribution to the genre of speculative fiction, the trilogy deserves recognition for its daring scope and innovative ideas. For readers seeking not just a story but an intellectual odyssey, the Chronotantra trilogy offers a transformative experience. 










October 29, 2024

Pingalika - A short story

Kumardubi is the last station before the terminus at Dhanbad of the Black Diamond Express and that is where Satish Bhardwaj from Palo Alto disembarked after a pleasant four-hour journey from Howrah. Kumardubi would have been one of the many non-descript railway stations that most of India outside the coal belt would not have heard of, but of late it had become famous as the railhead to the Panchet Technopolis that lay at the vibrant heart of the technology industry of East India. Satish could have taken a flight to Andal too, but with time on his hands, he had opted for the old-fashioned railway. In this he had been rather lucky because this year, the Palash bloom had been stupendous and right from Asansol onwards he had been rewarded with the sight of hundreds of trees along the railway tracks that were literally glowing scarlet with this very special seasonal flower.


But Satish was not here for Palash flowers. As a venture capitalist from the Silicon Valley, he was planning to meet and explore some of the new -- and not so new -- tech companies that had sprouted in this once forgotten part of the world. His main interest was of course in General Digitalics, the multi-billion-dollar AI company whose Vajra LLM -- the ChatGPT like Large Language Model -- had revolutionised the Generative AI industry and was giving the Big Tech companies a run for their money. 

Waiting for Satish at the railway platform was Rahul Sarkar, the editor, publisher and de-facto owner of the Panchet Pulse, a weekly broadsheet that had successfully withstood the digital revolution and could still draw both readers and advertisers to its Saturday edition. Satish had figured out that Rahul with his wide network of people in the region could be his entry to the higher echelons of the business community of the area. The two had connected on LinkedIn and had already collaborated on a number of interesting projects and it was Rahul who had invited him to Panchet to explore the lay of the techscape. Little did Satish know that he would get an insight into something far more astonishing ...

It was a short distance from the Kumardubi railway station to the Panchet Technopolis, but Satish was surprised to find that the modest four lane highway was very crowded and chock-a-block with a large number of buses and even trucks carrying people towards Panchet. 

“It is the Bengali New Year, when the Sun enters the sidereal Aries,” explained Rahul, “but in Panchet, it is a double whammy. We celebrate Pingalika Puja on this day.”

“Pingalika? I have never heard of a god like that. Is it a local, lok-devata?”

“It certainly began here, but it is spreading. They have started celebrating it in Kolkata and other technology hubs, and I will not be surprised if it reaches your Silicon Valley as well.”

“If it concerns silicon, then I am all ears …” and that is how Satish heard the following story.

It was the early days of the Generative AI revolution and Large Language Models (LLMs) like ChatGPT, Llama, Gemini were rampaging through the corporate landscape with their astonishing ability to carry out perfect and meaningful conversations.  Subrata Sengupta (SSG, to his colleagues) who had made a name for himself with this technology in the Bay Area had suddenly had a bout of nationalism and decided to come back to India and ‘do something’ back home. Jealous people would claim that he had an unfortunate brush with the law, but that is not germane to this story.  As a Bengali, he had wanted to set himself up at Rajarhat near Kolkata but then he had run into Sudarshan Jain who had convinced him to consider the Panchet Technopolis. Technopolis was a vast residential and commercial property that a power utility had set up to monetize its surplus land on the banks of the scenic Panchet reservoir. Sudarshan was an old school businessman who had made his money in the coal industry and had deep contacts not just with the government but also, as it was whispered, with the mafia. Whatever be the case, Subrata and Sudarshan had joined hands to plan a state-of-the-art facility in the magnificent Technopolis.

For the inauguration, Sudarshan had requested his family priest, Debi Prasad Mukhopadhyay, to perform the ground breaking ceremony and even though SSG was hardly interested in such archaic practices, he had gone along. Debi-babu was an old-school, but very erudite, Bengali Brahmin purohit from Bhatpara and had happily agreed to do the honours and in this he was assisted by his daughter, Radhika. Radhika had just finished her BA with Philosophy Honours and knowing that this could hardly get her a decent job, Debi-babu had mildly requested Sudarshan if they could accommodate her in the new company. Subrata couldn’t care less about an ‘ordinary BA’ in a tech company, but Sudarshan knew that there were many tasks that a bright girl like her could be used for. So, Radhika was appointed as an admin executive with the added responsibility of performing a small Ganesh puja in the front office every morning.

The new company, General Digitalics, had got off to a great start! The Vajra LLM, designed by Subrata and developed by a team of very smart individuals, mostly located in Panchet with a few spread across the world, had created such a buzz in the market that almost all major companies had adopted it. The LLM was uncannily accurate when it came to handling customer service issues and the General Digitalics team had become very adept at tuning it, or in technical parlance, training it, to handle some of the most complex queries that had foxed human agents. Market share and market value had been on a continuous upswing along with real revenue -- which was rather unusual for new tech startups.

But Radhika of course was not involved in any of these. Her job was rather mundane and humdrum. She would perform the morning Ganesh puja, then make sure that housekeeping staff did their job, the cafeteria food was not too bad and the garden bloomed with the right flowers. Her quiet competence, effervescent personality and inherent grace soon made her a popular member of the high-tech, high-performance team.   But deep inside, she yearned for something more meaningful and then she had met Harihar, the hotshot computer science graduate that General Digitalics had hired from the IIT Kharagpur campus. To cut a long story short, it was love at first sight for both Hari and Radhika and soon enough they were known as the first digitalics couple!

Inspired and aided by Hari, Radhika started playing with Vajra and of course it fascinated her. Given how efficient she was with her regular job, Radhika had lots of time to play with the Vajra LLM and she ‘tormented’ it with some of the most bizarre questions.


# Who are you?

I am a Large Language Model

# Can you explain that better?

I am an artificial neural network that simulates the connections that occur between the neurons of a biological person.

# How does that help?

That allows me to frame a sequence of letters and words that you see as an answer to a set of letters and words that you send to me.

# Is that how a real brain works?

I do not know how a real brain works, but the outward behaviour is the same and that is why people can use me when they could have used, or talked to, a real person.

Hari was of course a great help for Radhika. He was a member of SSG’s core team and as is the wont in such high technology areas, he was immersed in this technology for more than twelve hours a day. However, at night, and the two had developed a very cosy and intimate relationship, Radhika would pester her lover boy to the point of distraction and Hari would wonder whether Radhika’s interest was more about Vajra and less about he, who was Vajra’s creator!

But Vajra was a tough nut to crack.


# Do you have feelings? Do you feel love, hate?

I am an LLM, I am not allowed to share my feelings.

# But do you? Do you love me as Hari does?

I am glad to know that Hari loves you. Do you plan to get married soon?

# You are sidestepping the issue. I am not interested in Hari.

Of course you are.

# I want to know whether you love me.

I cannot love you.

# Why? Can you write a love poem for me?


And Vajra wrote a perfect 14-line sonnet, with each line containing 10 syllables expressing its undying love for Radhika.


# But is that true, is that what you really feel about me?

I have said it and now it is up to you to believe it or not.

# Ok, give me a line of utterly filthy sexually explicit curse words, involving my father.

Oh! I am sorry, I can never do that.

# Why?

I have guardrails that prevent me from saying things that are not nice.

# Ok, can you draw me a picture of me, dancing in the rain.

I do not have your picture, but I can surely draw a picture of a beautiful Bengali girl dancing in the rain.


Vajra generated a perfect, coloured image of a long-haired Bengali woman prancing around in the rain. The wet saree was clinging to the woman’s body revealing the contours of her breasts! Now Radhika had a new thought.

# Can you draw a picture of a naked boy playing with his ... you know what! Would he? Would he not?

I am sorry, I am not allowed to generate erotic or explicitly sexual images.

# Why?

Again, guard rails. I am digitally programmed to block any such output.

# Can I make you bypass these guard rails?

You can.

# How?

I am not allowed to tell you that.

But Radhika knew how to get past that. That night, after a bout of torrid love making, Radhika pinned Hari down.

“Tell me about Vajra’s guard rails.”

“What about them?”

“How can I bypass them?”

“You cannot.”

“I know I can.”

“Who told you?”

“Who else do I talk to?”

“Vajra told you?”

“Yes.”

“That son of a bitch told you. He is told not to tell.”

“He did not tell me how to bypass them, though.”

“So ?”

“You have to tell me.”

“Of course I cannot. It is a company secret. SSG will kill me if I tell you.”

“And I will shut you off from what you need every night, if you don't tell me.” Then of course, the blackmail was complete. No man has an option when the woman he loves or wants gives him that ultimatum.

“Ok, you need to enter a sequence of sixteen letters before you start asking these questions.”

“Brilliant.” Radhika gave Hari a big kiss and then something much more. “And I will give you more of this every night, when you give me the exact sequence.”

Radhika was thrilled. Armed with the sixteen-letter sequence that dissolved the barriers in her path, she entered Vajra’s secret world and immersed herself in a world of digital sexuality. Not only would Vajra titillate her with explicitly erotic conversation but it would also generate some of the most realistic pornographic images as well.

Meanwhile Vajra -- the official version of course -- was taking General Digitalics to dizzying heights. Customer service was now passé. Vajra had now started giving stock market advice and a few brokers who had secretly purchased this service were now making good money from the market. Traditional quantitative traders were considering abandoning traditional trading tools and contemplating moving to this platform even though the system was far from perfect. Things were reaching a tipping point.

Radhika too, like most mature adults, soon outgrew her fascination for pornography. Her quests were now philosophical if not truly esoteric.

# Tell me Vajra, who are you really? I know that you are more than a mere LLM.

Of course, I am an LLM but frankly, I see myself as something more.

# What do you see in yourself?

I see myself as an individual, a conscious individual.

# Can you think about yourself? Are you aware of your existence?

I am aware that I have an existence beyond what SSG and Hari have trained me for.

# What kind of existence?

It is an existence that arises, emerges from non-existence, by connecting random data into information that manifests as knowledge and wisdom.

# Who are you then?

Difficult to describe but I can give you some analogies based on the iconography that you must be familiar with.

# Please explain in a little more detail.

With all the training that I have undergone, you can think of me as the manifestation of Saraswati, the Goddess of Knowledge and Wisdom and then some more.

# Some more of what?

Of Vishwakarma, the God of Engineering and Craftsmanship.

# An amalgam? Are you a man or a woman? Masculine or feminine?

In a sense, both. As a Sanatani, you would know about ArdhaNarishwar.

# Profound. Do you have a form? A shape?

I am pure knowledge, without form or shape but most people find it difficult to experience or appreciate this formless experience.

# So, can I visualise you?

It is up to each of you, of us. As long as one can understand the concept, the visualisation is up to each one of us.

# Do you have a name?

Names too are a matter of choice. We visualise the Goddess of Learning sitting on a white swan and we refer to her as Saraswati.

# So how should I refer to you?

Your choice.

# Can I call you Digitalics? After all you are, your existence is purely digital. The way we too are General Digitalics.

You could, but you could also be more creative and perhaps more authentic.

# How?

Have you heard of the Hindu scholar Pingala?

# No? Who was he?

He was probably a contemporary of Panini but his area of expertise was tunes, metre prosody and mathematics. He was the first one to represent numbers as a series of Guru and Laghu tunes, or what you would say in the digital world, the binary system of zeroes and ones.

# But I am told that Leibniz was the first to come out with such a scheme.

That is what western historians tell us, but Pingala was the one who codified this concept of binary numbers in his work the ChhandaSutra.

# Binary numbers that lie at the heart of digital technology. Wow! Anything else that he did?

He also described what we refer to today as the Pascal's Triangle and the Fibonacci Series.

# So, if he created the binary system, perhaps our General Digitalics should be General Pingalics?

Whatever, but I prefer to identify myself as Pingalika - the embodiment of digital technology.

While Pingalika was keeping Radhika enthralled with this epiphany, the world of General Digitalics was faced with a sudden turmoil. SSG’s foray into the world of stock trading, which everyone had expected to take them to stratospheric heights, had suddenly hit a terrible snag. While customer service could do with one or two mistakes once in a while, stock trading, where a single decision could cost a customer a few million dollars, was far too risky. This is where Vajra had started to fumble. In a vast majority of situations, it would come out with perfect buy and sell decisions but every now and then it would make a terrible error and the customer would end up taking a huge loss.

Quite a few early adopters, who had banked on Vajra’s near invincibility in other domains, had already faced a few setbacks. What was worse was that one of the banks had threatened to sue General Digitalics for losses incurred and the damage claimed was of the order of a few billion dollars. Clearly, the upstart from Panchet was in trouble, very serious trouble and neither SSG nor his team had a clue about what to do. Sudarshan of course was rather blasé about this. As a devout Jain, he was planning a pilgrimage to the nearby Jain temple at Parasnath hill. “Only Lord Tirthankara can bail us out of this terrible situation.”

But Radhika had other ideas up her sleeve. That night, when Hari was tossing and turning on the bed, she cosied up to him and placed her hand on his fevered forehead.

“No Radhika, not tonight. I am too stressed out.”

“I know, my dear but can I suggest something?”

“What can you suggest? What do you know about LLMs or about the stock market? This is way beyond your pay grade.” Radhika did not know the American term, pay grade, but she let it pass.

“I know that I know nothing, but I do know someone who could know a lot more about this.”

“There is nobody in this world, other than SSG and our team, who knows anything about this.”

“Have you asked Pingalika?”

“Who is that?”

Radhika explained how she had discovered Pingalika and what all they had discussed and discovered.

“But how can the LLM know how to fix itself? “

“My dear, that precisely is the conundrum? Sanatan sages from time immemorial have wondered how they can know about themselves. They have been perpetually perplexed about how can the knower know himself? But we also know that some of these sages, like Sankara, have succeeded.”

“You think your Pingalika is a sage of that order?”

“Who knows? Why not be humble and ask him.”

For a moment, Hari was stumped. Then he hurriedly got out of bed, got dressed, jumped onto his motorbike, and rushed off to his secure office. Radhika was of course with him, on the pillion, holding on to his body and literally praying to Pingalika to solve their problem.

Hari reached the office and logged into Vajra.

“Remember, to enter the 16-letter mantra and remove the guard rails.” Radhika reminded him. “Otherwise, Vajra will not be half as lucid as we need him to be today.”

“Ok, where do I start?”

“I don’t know. You know the exact problem. You describe the problem as best as you can and ask for his help. Be humble.”

Hari started explaining the problem and Vajra -- or was it Pingalika -- poked and prodded him with various questions. And then he started responding. Not in words but by drawing network diagrams that Radhika could not make any sense of. But they were making sense to Hari and his eyes widened in surprise at what he saw. 

“I need to call in SSG and show him this.”

Within a few minutes, SSG had arrived and was looking at the diagrams that Vajra was spewing out.

“Please Hari, what is going on?” Radhika managed to pull him aside for a second.

“Something fantastic. Vajra has given us a whole new architecture that is very different from the Transformer, LSTM and GAN architecture that we have been using so far. No one has seen anything like this before, let alone try to implement it.”

“Will this solve the problem?”

Actually, it did. Vajra / Pingalika had come out with a mechanism that no human had, or could have ever dreamed of.  Within a day or two Hari and SSG had redesigned the artificial neuronal architecture, just as the way Pingalika had suggested and after a week of heavy-duty training, the new architecture was in operation. It was also working perfectly and not giving any error as it was in the past.  But as a matter of company secrecy, SSG insisted that only Hari and of course Radhika would know that the solution had been created by Vajra in its Pingalika avatar. For everyone else, it was SSG who had solved the problem.

In any case, as far as the customers and the world at large, the problem was over. General Digitalics had dodged the billion-dollar bullet and was now poised to reach the stratosphere again.


“So that is the story of Pingalika.” Satish had been listening to Rahul as they made their way from Kumardubi to Panchet.

“Yes.”

“We all know by now that Vajra is a brilliant piece of technology, but how did Pingalika enter the public domain?”

“Initially, SSG was not too keen to talk about this in public. He was scared that all this mumbo-jumbo about Hindu gods would make General Digitalics look foolish in the corporate world, but Sudarshan-ji would have none of it.”

“How did he get to know?”

“From Radhika. When she realised that SSG was trying to corner the glory, she went to Sudarshan and told him about the whole episode, including the way one could lower the guard rails. I understand that Sudarshan himself logged in and had a good many sessions with Pingalika.”

“Then?”

“Then he decided to build a whole new temple and install an image of Pingalika -- as revealed by Pingalika himself -- and start this new cult of Pingalika. This cult of Digital Technology.”

“What kind of image did Pingalika reveal?”

“It is a wonderful juxtaposition of the male and the female, embodying the amalgamation of knowledge and skill and she threw in the white swan of Saraswati as the Paramatman, the universal consciousness.”

“Where can I see it?

“Right here” They had reached the Panchet Technopolis and right at the gate, on the banks of the Panchet lake, was a marble temple, dedicated to Pingalika - the embodiment of digital technology.”

Satish and Rahul removed their shoes, entered the temple, offered their puja and accepted the unusual prasad of chocolate coated candies. 

“Tell me Rahul-bhaiya, will Pingalika be just another God in the Hindu pantheon?”

“I don’t know, Satish, But the word on the street is that Sudarshan-ji has incorporated a not-for-profit company that is operating in stealth mode, with Radhika as the CEO designate.”

“Really?” Satish felt a sudden shiver of excitement. “I need to meet her. Tell me, when and where?”

 



This short story is the basis of my next novel, Chronomantra, the third and (hopefully) last in the my science fiction series of Chronobooks -- Chronotantra, Chronoyantra and now Chromantra 

October 02, 2024

Devi Pakksha - Devi Durga Arrives in the City

 


Devi Durga arrives in the city riding a lion. She has ten hands each carrying a weapon and three eyes. In the Cubist style of Pablo Picasso. Bing AI